Canon Canon EOS C500 Mark II Camera
CANON EOS C500 MARK II CAMERA
CANON EOS C500 MARK II CAMERA
5.9K Full Frame sensor in a compact body.
FEATURES
5.9K OVER SAMPLING PROCESSING FOR 4K
The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.
COMPACT, LIGHTWEIGHT AND RELIABLE
Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.
BREATHTAKING FULL FRAME IMAGE QUALITY
Canon’s own developed 5.9K full frame CMOS sensor delivers an immersive cinematic look combined with natural, smooth skin-tones and faithful colour reproduction with Canon colour science. The sensor also provides 15+ stop latitude with a wide colour space, perfect for High Dynamic Range productions.
PIONEERING AUTO FOCUS TECHNOLOGY
The EOS C500 MARK II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 MARK II offers the ability to set the AF tracking speed and response.
HIGHLY CONFIGURABLE AND MODULAR DESIGN
Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements.
Extension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF -V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.
HIGH QUALITY AND EFFICIENT RECORDING FORMATS
The EOS C500 Mark II features a DIGIC DV 7 image processor enabling 12-bit Cinema RAW Light recording internally up to 5.9K, with support Full Frame, 4:3, 6:5, Super 35mm and Super 16mm sensor modes for a variety of production workflow requirements. 12-bit Cinema RAW Light is also scalable thanks to new firmware introducing an extensive range of data rate options up to 2.1Gbps with Cinema RAW Light LT, ST and HQ recording modes.
Record at 4K 4:2:2 10-bit using the Canon XF-AVC format, while simultaneously recording to the dual CFexpress card slots if required, with an additional SD card slot for proxy files. Multiple recording formats offer flexibility and efficiency for a wide range of production requirements.
INFORMATION
EFFECTIVE PIXELS (FULL FRAME MODE)
-Approx. 13.16 megapixels (4192 x 3140) : 4:3 selected resolution
-Approx. 11.83 megapixels (3768 x 3140) : 6:5 selected resolution
-Approx. 18.69 megapixels (5952 x 3140) : 5952 x 3140 or 4096 x 2160 or 2048 x 1080 selected resolution
-Approx. 17.52 megapixels (5580 x 3140) : 3840 x 2160 or 1920 x 1080 selected resolution
BRAND
Canon
PRODUCT TYPE
Camera
SENSOR MODES
- Full Frame
- Super 35 mm (Crop)
- Super 16 mm (Crop)
SYSTEM
RGB primary colour filter (Bayer array)
TOTAL PIXELS
Approx. 20.8 megapixels (6062 x 3432)
DYNAMIC RANGE
- Wide DR : 800% (at ISO 400)
- Canon Log 2 : 1600% / 15+ stops
- Canon Log 3 : 1600% / 14 stops
DIMENSIONS
- Width : 153 mm
- Depth : 168 mm
- Height : 148 mm
WEIGHT
Approx. 1.750g
COLOR
Black
12G-SDI TERMINAL
Deliver 4K signal via single cable
MAX POWER CONSUMPTION
63W
SENSOR
Full Frame CMOS sensor
ANAMORPHIC LENS SUPPORT
Yes, 2x / 1.8x / 1.3x
MARKERS
On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, gray or white.
WAVE FORM MONITOR
-Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals -Line Display / Line and Spot / Line Select / Field Display / RGB Display / YPrPb / HDR PQ and HDR-HLG output supported. Indication is pre-LUT (where LUT is selected)
USE
Photography
IMAGE PROCESSOR TYPE
DIGIC DV7
VARIOUS MOUNT AND LENS OPTIONS
The EOS C500 Mark II provides support for optional interchangeable lens mounts for different project requirements. EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.
FALSE COLOUR DISPLAY (EXPOSURE INDICATION)
Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals
COLOUR BARS
Smpte, ebu and arib colour bars available. See the menu.
NEW GENERATION CINEMA EOS SYSTEM
5.9K Full Frame sensor packed into a newly developed compact and reliable Cinema EOS body, this camera provides new inspiration and great flexibility for all cinematographers.
FILMING THE NEW JAGUAR F-PACE ADVERT WITH A CANON EOS C500 MARK II
Filmmaker Brett Danton on how the new Canon EOS C500 Mark II was a game-changer on his F-PACE shoot for Jaguar.
CANON MULTI-CAMERA CONTROL APP
Simultaneously control up to 4 professional video cameras with your smartphone via Wi-Fi by taking advantage of Canon’s XC protocol built-in to numerous Cinema EOS and XF cameras. Access live view monitoring, as well as manage various camera settings including exposure, focus, zoom, record trigger, record format and much more. Compatible with the EOS C70, C300 Mark III, C500 Mark II and XF605. Available to download from the iOS App Store in December 2023.
POWER SUPPLY
BP-A60 (Supplied), BP-A30 (Optional), V-Lock with EU-V2 / EU-V3, 11.5V - 20V, Mains 4-pin XLR
EVF
-Built- In EVF : No
-Optional EVF Accessory : Yes. OLED Electronic Viewfinder, EVF-V50 or EVF-V70
OPERATING TEMPERATURE RANGE
-Approx. 0 to 40°C, (85% relative humidity) -Approx. -5 to 45°C, (60% relative humidity)
ZEBRA
- Level 1; Level 2; Both
- Output via SDI or HDMI
PEAKING
Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)
MISC
-Custom Dial : Yes
-Tally lamp : Yes, physical light and on-screen monitor border
-Smartphone Application Support : Canon Multi-Camera Control / Browser Remote Control
EFFECTIVE SENSOR SCREEN SIZE
-38.1 x 20.1 mm (43.1 mm on the diagonal) : 5952 x 3140, 4096 x 2160 or 2048 x 1080 selected resolution
-35.7 x 20.1 mm (41.0 mm on the diagonal) : 3840 x 2160 or 1920 x 1080 selected resolution
POWER CONSUMPTION
-Cinema raw light : Full size / 5952 x 3140 2.1gb: 59.94p / 50.00p - 34.0w
-Super 16mm / 2048 x 1080 250mbps : 59.94p / 50.00p - 28.0w xf-avc: full size / 4096 x 2160 810mbps: 59.94p / 50.00p - 33.4w super 16mm / 2048 x 1080 310mbps: 59.94p / 50.00p - 28.0w
JAGUAR F-PACE ADVERT - BEHIND THE SCENES
For shooting fast-action in mountainous terrain, the Canon EOS C500 Mark II was the perfect partner for filmmaker Brett Danton.
LENS
IRIS CONTROL (EF MOUNT LENSES)
- 1/2-stop, 1/3-stop or FINE control.
- Via body, grip, wireless control or wired remote.
- Possible to maintain constant F-number during zoom.
CHANGEABLE LENS MOUNT
Yes, User changeable to EF Cinema Lock or PL Mount
ND FILTER
Up to 10 stops via built in ND filter system (in extended mode)
FOCUS CONTROL
-PL Mount : Only Cine Servo lenses
-EF Mount : Via lens, wireless control or wired remote (dependent on lens used)
IMAGE STABILIZATION SYSTEM
Optical depending on lens used, Digital 5-Axis IS for non-IS lenses. Combination of Optical IS and Digital IS to give combined 5-Axis IS
LENS MOUNT
-Canon EF Mount. -PL mount via PM-V1 Accessory. -B4 mount via MO-4E/MO-4P adapters.
LENS MAGNIFICATION FACTOR (FOR EF MOUNT LENSES, INCLUDING CINEMA PRIMES)
-Full Frame : 5952 x 3140 / 4096 x 2160 / 2048 x 1080: x1.00, 3840 x 2160 / 1920 x 1080: x1.056
-Super 35MM (Crop) : 4096 x 2160 / 2048 x 1080: x1.460, 3840 x 2160 / 1920 x 1080: x1.534
-Super 16mm (Crop) : 4096 x 2160 / 2048 x 1080: x2.920, 3840 x 2160 / 1920 x 1080: x3.069
COOKE/I TECHNOLOGY SUPPORT
Yes, with Frame Sync support (PL Mount Only)
PERIPHERAL ILLUMINATION CORRECTION
Yes (dependent on lens used)
RECORDING
SCAN REVERSE
Yes
HD->SD CONVERSION
No
PRE RECORD (CACHE RECORD)
Yes, 3 seconds or 5 seconds, selectable
DOUBLE SLOT (SIMULTANEOUS) RECORDING
Yes
PHOTO RECORDING SIZE
- Approx. 930 KB at 2048 x 1080
- Approx. 880 KB at 1920 x 1080
RELAY RECORDING
Yes
PHOTO STORAGE MEDIA
SD/SDHC memory card
XF-AVC PROXY RECORDING BIT RATE/ SAMPLING (PAL) TO SD CARD
- Proxy recording available for Cinema RAW Light or XF-AVC recording
- 2048 x 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps / 25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP
INTERVAL RECORD
No
FRAME RECORD
No
RECORDING TIME
- XF-AVC / MXF : 4096x2160: 410 Mbps 156 Mins
- Cinema RAW Light LT : 5952 x 3140 556 Mbps: 122 Mins
- Cinema RAW Light ST : 5952 x 3140: 871 Mbps 78 Mins
- Cinema RAW Light HQ : 5952 x 3140: 1770 Mbps 38 Mins
RECORDING FORMATS
Cinema RAW Light (CRM), XF-AVC (MXF)
INTERNAL RECORDING
-CFexpress card x2 for Cinema RAW Light or XF-AVC/MXF, SD card for Proxy recording -SD card also used for Photo Storage (1920 x 1080), CP setting transfer and firmware update
SYSTEM FREQUENCY/ FRAME RATES
- 24.00Hz mode (24.00P)
- 50.00Hz mode (50.00P / 50.00i / 25.00P)
- 59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)
SLOW/FAST MOTION
-Cinema RAW Light : 5952 x 3140 / 4096 x 2160: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS. 24.00P / 23.98P: 12 - 60 FPS, 2048 x 1080: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS
-XF-AVC, Full frame / Super 35mm (Cropped) : 4096 x 2160 / 3840 x 2160 (810 / 410 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS, 2048 x 1080 / 1920 x 1080 (310 / 160 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS
-Super 16mm (Cropped) : 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS, 2048 x 1080 (35 / 24 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS
XF-AVC RECORDING BIT RATE/ SAMPLING (PAL) (4:2:2 10-BIT (INTRA-FRAME))
- 4096x2160 or 3840x2160 / 50P / 810 Mbps: approx. 79 Mins
- 4096x2160 or 3840x2160 / 25P / 410 Mbps: approx. 156 Mins
- 2048x1080 or 1920x1080 / 50P or 50i / 310 Mbps: approx. 207 Mins
- 2048x1080 or 1920x1080 / 25P / 160 Mbps: approx. 401 Mins
4:2:2 10-BIT (LONG GOP)
- 4096x2160 or 3840x2160 / 50P / 260 Mbps: approx. 246 Mins
- 4096x2160 or 3840x2160 / 25P / 160 Mbps: approx. 401 Mins
- 2048x1080 or 1920x1080 / 50P or 50i / 50 Mbps: approx. 1284 Mins
- 2048x1080 or 1920x1080 / 25P / 50 Mbps: approx. 1284 Mins
CINEMA RAW LIGHT BIT RATE/BIT DEPTH (PAL) (12-BIT CINEMA RAW LIGHT HQ)
-FF / 5952 x 3140 / 25P / 1770 Mbps: approx. 38 Mins -4:3 / 4192x3140 / 25P / 1250 Mbps: approx. 54 Mins -6:5 / 3768x3140 / 25P / 1350 Mbps: approx. 50 Mins -S35 / 4096x2160 / 50P / 1690 Mbps: approx. 40 Mins -S35 / 4096x2160 / 25P / 841 Mbps: approx. 81 Mins -S16 / 2048x1080 / 50P / 426 Mbps: approx. 160 Mins -S16 / 2048x1080 / 25P / 213 Mbps: approx. 320 Mins
(12-BIT CINEMA RAW LIGHT LT)
-FF / 5952 x 3140 / 50P / 1140 Mbps: approx. 59 Mins -FF / 5952 x 3140 / 25P / 556 Mbps: approx. 122 Mins -4:3 / 4192x3140 / 50P / 799 Mbps: approx. 85 Mins -4:3 / 4192x3140 / 25P / 400 Mbps: approx. 170 Mins -6:5 / 3768x3140 / 50P / 719 Mbps: approx. 94 Mins -6:5 / 3768x3140 / 25P / 360 Mbps: approx. 189 Mins -S35 / 4096x2160 / 50P / 538 Mbps: approx. 126 Mins -S35 / 4096x2160 / 25P / 269 Mbps: approx. 253 Mins -S16 / 2048x1080 / 50P / 137 Mbps: approx. 498 Mins -S16 / 2048x1080 / 25P / 69 Mbps: approx. 989 Mins
(12-BIT CINEMA RAW LIGHT ST)
-FF / 5952 x 3140 / 50P / 1750 Mbps: approx. 39 Mins -FF / 5952 x 3140 / 25P / 871 Mbps: approx. 78 Mins -4:3 / 4192x3140 / 50P / 1230 Mbps: approx. 55 Mins -4:3 / 4192x3140 / 25P / 615 Mbps: approx. 111 Mins -6:5 / 3768x3140 / 50P / 1110 Mbps: approx. 61 Mins -6:5 / 3768x3140 / 25P / 553 Mbps: approx. 123 Mins -S35 / 4096x2160 / 50P / 828 Mbps: approx. 82 Mins -S35 / 4096x2160 / 25P / 414 Mbps: approx. 164 Mins -S16 / 2048x1080 / 50P / 210 Mbps: approx. 325 Mins -S16 / 2048x1080 / 25P / 105 Mbps: approx. 650 Mins
INPUTS/OUTPUTS
COMPONENT OUT
No
AV TERMINAL
No
HEADPHONE OUTPUT
3.5 mm stereo mini jack (output only, Camera Body).
VIDEO MONITOR OUTPUT
MON: 1x 3G-SDI BNC terminal (output only, Camera Body).
TALLY SIGNAL
- Yes, requires optional EU-V3.
- Rec tally out / rec trigger in via hirose 4-pin terminal
SDI OUTPUT
1x 12G-SDI BNC terminal, 4K to 2K/FHD conversion available (output only, Camera Body)
GENLOCK
Yes, with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector)
HDMI
HDMI connector (type A) (output only, Camera Body).
USB
Yes, Input only, Camera Body. (GP-E2 connection)
DC OUTPUT
- EU-V3: 12V/2A via Hirose 4-pin output
- Yes, requires optional EU-V2 or EU-V3 accessories.
- EU-V2: 24V/2A via Fischer 3-pin output / 50W D-Tap output
LENS TERMINAL
Yes, requires optional EU-V2 / EU-V3. 12-pin jack
REMOTE CONTROL TERMINAL
-Remote a connector 2.5 mm stereo jack (input only) -Remote b connector round 8-pin jack (for rs-422) with optional eu-v1 / eu-v2 / eu-v3
AUDIO IN
- 2x 3-pin XLR Inputs, 1x 3.5 mm stereo mini jack (input only, powered)
- XLR Input 1 / 2 on camera body. XLR Input 2 / 3 via optional Expansion Unit EU-V2
WIRELESS CONTROL TERMINAL
Yes
DC INPUT
- 11.5 -20V
- XLR 4-pin jack
IP STREAMING & CONTROL
- Canon XC Protocol supported.
- Canon Browser Remote supported.
- Yes, via Ethernet / Wi-Fi connection.
- 9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i) (EU-V1 / EU-V2 / EU-V3 required)
LUT INPUT
Yes, available for monitoring or applied directly to recordings. Compatible with .Cube lut files
VIDEO CONNECTOR
Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor
ETHERNET TERMINAL
Yes, requires optional eu-v1 / eu-v2 / eu-v3. Ethernet connector (rj45) (supports 1000 base-t)
TIME CODE
BNC jack (input/output, Camera Body).
SYNC
Bnc jack (output only/also serves as genlock connector)
RETURN SIGNAL INPUT
- Yes, requires optional EU-V3.
- 1x BNC terminal input (supporting 3G/HD-SDI signals)
- Return output destinations : VIDEO / EVF-V50 / MON / HDMI / SDI OUT
EXPOSURE
EXPOSURE COMPENSATION
Yes
AUTO EXPOSURE MODE
Auto Iris with compatible lenses
AF FRAME SIZES (EF MOUNT)
-Large; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range -Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range -Selectable AF point over 80% horizontal / 80% vertical (approx.) of sensor -Auto Focus Modes (EF Mount) -One-Shot AF, Continuous AF, and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. -One-Shot AF, Continuous AF, AF-Boosted MF
PUSH AUTO IRIS
Yes, EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2 / EU-V3
AUTO FOCUS SYSTEM (EF MOUNT)
Dual Pixel CMOS AF, Contrast AF
FOCUS GUIDE
EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses
EXPOSURE METERING
Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris
EXPOSURE LOCK
No
AUTO GAIN CONTROL SETTING
Yes
ISO SENSITIVITY
-1-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF -1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000,40000,51200,64000, 80000,102400] [---] When ISO speed expansion is ON.
FACE DETECTION AF (EF VERSION ONLY)
- Yes, supporting frame rates up to 120p.
- Face Priority or Face Only modes available.
GAIN SETTING
-[-6dB, -3dB], -2dB (*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB], [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. -When ISO speed expansion is ON: between -2 dB and 54 dB -When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.
CUSTOM PICTURE
MASTER PEDESTAL
-50 to +50
LOW KEY SATURATION
Adjustable: -50 to +50
COLOUR MATRIX
-Neutral : Accurate colour reproduction
-Production Camera : Colour reproduction for use in movie production
-Video : Colour reproduction equivalent to C300/500 CP-OFF (for commercial cameras)
HDR-HLG PROFILE
-BT.2100 : Corresponds to ITU-R BT.2100
-Vivid : Corresponds to Traditional Colour in ITU-R BT.2390
BLACK GAMMA
Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50
MASTER BLACK
Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50
NOISE REDUCTION
Off, On (1 to 12)
SETUP LEVEL
-50 to +50 On/Off
SHARPNESS
Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness
WHITE BALANCE
AWB, USER setting (setting range: 2000K to 15000K/ -20CC to
+20CC), daylight, tungsten, settings (A/B)
COLOUR MATRIX
Phase, Gain and RGB adjustment, in tandem with Gamma selection
SELECTIVE NOISE REDUCTION
Off, Low, Middle, High / Hue, Chroma, Area, Luminance.
SKIN DETAIL
Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps
KNEE
Point -50 to +109, Slope -35 to +50, Saturation -10 to +10
COLOUR CORRECTION
Area selection / area revision of two areas
STORED CONFIGURATIONS
- C1: BT.709 Wide DR (Wide DR / BT.709 Gamut)
- C2: LOG2 (Canon Log 2 / Cinema Gamut)
- C3: LOG3 (Canon Log3 / Cinema Gamut
- C4: PQ (PQ / BT.2020 Gamut)
- C5: HLG (HLG / BT.2020 Gamut)
- C6: BT.709 Standard (BT.709 Standard / BT.709)
- C7: EOS Standard (BT.709 Wide DR / BT.709)
- C8: EOS Neutral (BT.709 Wide DR / BT.709)
- C9: Canon 709 (Canon 709 / BT.709)
- USER10 to USER20 (Wide DR / BT.709 Gamut)
DETAIL
BLACK BALANCE ADJUSTMENT
Yes
AUDIO
Recording : Linear PCM (24-bit / 48kHz), 4 channels
TIME CODE
-Start value setting : “00:00:00:00”, Set/Reset selectable
-Count up system : Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates)
WHITE BALANCE
- Auto : Yes
- White Balance Matching : Yes, for previous models
- White Balance Shift : Yes. -9 to +9 (daylight and tungsten only)
- Preset : Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B
SHUTTER
- Shutter Angle : 11.25º to 360º depending on frame rate
- Control Modes : Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
- Slow Shutter (SLS) : 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
- Clear Scan : 24.00 Hz* to 250.40 Hz (*) The frequency will differ depending on the frame rate setting.
- Shutter speed : 1/3 stop: 1/12 to 1/1600, 1/2000 (24 settings), 1/4 stop: 1/12 to 1/1700. 1/2000 (31 settings)
WI-FI & GPS SPECIFICATIONS
-GPS Information (Optional Accessory) : Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)
-Wi-Fi (Optional Accessory) : WPS [Wi-Fi Protected Setup] (push-button system, PIN code system), Manual setup, Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual
WEIGHT (ACCESSORIES)
- Body cap : Approx. 17g
- Eye cap : Approx. 26g
- Mic holder unit : Approx. 56g
- Handle unit : Approx. 227g
- Thumb rest : Approx. 9g
- Unit Cable UN-5: Approx. 80g
- Battery Pack BP-A60 : Approx. 434g
- LCD Monitor LM-V2 : Approx. 204g
- Camera Grip GR-V1 : Approx. 260g
- LCD Attachment Unit LA-V2 Approx. 265g
- Battery Charger CG-A20 : Approx. 145g
- Extension System Attachment Bracket : Approx. 11g
- Compact Power Adapter CA-CP200B : Approx. 290g (Not including AC cable)
FUNCTIONS
AUTOMATICALLY OBTAINS FOCAL LENGTH
When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.
ELECTRONIC IS WITH NON-ELECTRICAL CONTACT LENSES
Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.
FOCAL LENGTH CAN BE SAVED
Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.
NEW OSD LAYOUT
Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.
USER LUT SUPPORT
In addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows. A dedicated LUT button gives additional operational flexibility.
ANAMORPHIC LENS SUPPORT
EOS C500 MARK II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. In addition, 4:3 (4192 x 3140) and 6:5 (3768 x 3140) shooting resolutions are supported. Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses are also supported.
TRACKING AF
Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.
FACE PRIORITY AF / FACE ONLY AF
Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.
DUAL PIXEL FOCUS GUIDE
Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.
ADVANCED INTERFACE
The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable. Monitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility.
FULL FRAME ND FILTER
Equipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.
ACES SUPPORT
The eos c500 mark ii supports aces 1.0 of the academy color encoding system. Using canon supplied idts, images captured on the eos c500 mark ii can be imported directly into the aces compatible systems. Additionally, video output from the camera can be monitored by selecting the aces proxy.
HIGH FRAME RATES
The EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings.
FIRST CINEMA EOS TO SUPPORT ELECTRONIC IS
Eos c500 mark ii is the first cinema eos camera to incorporate electronic image stabilization (is) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, electronic is is possible by manually inputting the focal length.