Canon Canon Eos C300 Mark Iii Camera

CANON EOS C300 MARK III CAMERA

Canon Canon Eos C300 Mark Iii Camera

CANON EOS C300 MARK III CAMERA

The next generation EOS C300 Mark III incorporates Canon’s newly developed 4K Super 35mm DGO sensor, with 4K 120P Slow motion, High Dynamic Range and Dual Pixel CMOS AF into the same body as the EOS C500 Mark II

FEATURES

COMPACT, LIGHTWEIGHT AND RELIABLE 

Approx. 1,750g lightweight body enables it to be comfortably rigged with gimbals, hand-held rigs, making it ideal for various shooting conditions.

Canon Canon Eos C300 Mark Iii Camera

NEW 4K SUPER 35MM CMOS SENSOR FOR BREATH-TAKING IMAGE QUALITY

Equipped with a newly developed 4K Super 35mm DGO sensor and DIGIC DV7 image processor, the EOS C300 Mark III delivers an exceptional high-resolution image with 16+ stops of latitude. It also has an impressive low light capability, with improved low noise, of up to ISO 102,400 where the human eye cannot easily see.

Canon Canon Eos C300 Mark Iii Camera

MULTIPLE RECORDING FORMATS SUPPORT BROADCAST WORKFLOWS

Dual card slots enable simultaneous internal recording of 4K Cinema RAW Light files (10/12-bit) or 4K XF-AVC files (4:2:2 10-bit) onto CFexpress cards. XF-AVC supports ALL-I which delivers the best quality, and Long-GOP which enables longer recording times through higher compression. A Proxy can also be recorded onto an SD card, making editing work more efficient.

Canon Canon Eos C300 Mark Iii Camera

PIONEERING AUTO FOCUS TECHNOLOGY 

The EOS C500 MARK II features Canon’s Dual Pixel CMOS AF Technology which offers high-speed Continuous AF and reliable Face Detection up to 120p. Users also benefit from smooth, intuitive touch focus operation with the new 4.3-inch LCD monitor LM-V2, as well as an improved focus control that recreates a more natural focus pull. To further fine tune AF performance, the EOS C500 MARK II offers the ability to set the AF tracking speed and response.

Canon Canon Eos C300 Mark Iii Camera
Canon Canon Eos C300 Mark Iii Camera

HIGH FRAME RATES UP TO 120FPS IN 4K

The EOS C300 Mark III supports continuous 4K recording at up to 120fps, in both Cinema RAW Light and XF-AVC. In 2K (crop) mode, frame rates from 12 fps up to 180 fps can also be set for greater creative freedom, while a dedicated Slow & Fast button, provides quick access to the desired Slow & Fast setting

Canon Canon Eos C300 Mark Iii Camera

 CANON MULTI-CAMERA CONTROL APP

Simultaneously control up to 4 professional video cameras with your smartphone via Wi-Fi by taking advantage of Canon’s XC protocol built-in to numerous Cinema EOS and XF cameras. Access live view monitoring, as well as manage various camera settings including exposure, focus, zoom, record trigger, record format and much more. Compatible with the EOS C70, C300 Mark III, C500 Mark II and XF605. Available to download from the iOS App Store in December 2023.

Canon Canon Eos C300 Mark Iii Camera

VARIOUS MOUNT AND LENS OPTIONS

The EOS C300 Mark III provides support for optional interchangeable lens mounts for different project requirements.

EF lens mount provides perfect compatibility with a huge range of Canon EF lenses including EF Cine Primes, while the optional PL mount supports the Cooke /i system. Additionally, B4 mount adapters are also available (for EF or PL mounts) to use with B4 lenses.

Canon Canon Eos C300 Mark Iii Camera

HIGHLY CONFIGURABLE AND MODULAR DESIGN

Optional Extension Units offer a flexible modular design and configuration capability to cater for a variety of production requirements. Extension Unit EU-V1 offers additional connectivity such as a Genlock interface, while Extension Unit EU-V2 adds further interfaces, including two more XLR inputs and a V-Lock battery mount for extended recording times. Extension Unit EU-V3 is designed for multi-camera live productions with Tally and Return Signal support. The optional EVF -V50 viewfinder is ideal for hand-held use and it is easily removable for gimbal applications.

INFORMATION

EFFECTIVE PIXELS (FULL FRAME MODE) 

-Approx. 8.85 megapixels (4096 x 2160) : When 4096 x 2160 or 2048 x 1080 is selected as the resolution
-Approx. 8.29 megapixels (3840 x 2160) : When 3840 x 2160 or 1920 x 1080 is selected as the resolution

BRAND 

Canon

PRODUCT TYPE 

Camera

SENSOR MODES 

- Super 35 mm
- Super 16 mm (Crop)

SYSTEM 

RGB primary colour filter (Bayer array)

TOTAL PIXELS 

Approx. 9.6 megapixels (4206 x 2280)

SYSTEM

RGB primary colour filter (Bayer array)

DIMENSIONS 

- Width : 153 mm
- Depth : 168 mm
- Height : 148 mm

Canon Canon Eos C300 Mark Iii Camera

WEIGHT 

Approx. 1.750g

COLOR 

Black

DUAL CFEXPRESS SLOTS

Simultaneous or relay recording

12G-SDI TERMINAL 

Output 4K via a single cable

SENSOR 

Super 35mm CMOS sensor

DUAL GAIN OUTPUT

16+ stops of dynamic range

DYNAMIC RANGE 

- Canon Log 2 : 1600% / 16+ stops**
- Canon Log 3: 1600% / 14 stops**
Wide DR: 800% (at ISO 400)
-**At ISO800/Dual Gain Output: On

WAVE FORM MONITOR 

-Y
es. Via MON, SDI OUT, VIDEO or HDMI Terminals -Line Display/Line and Spot/Line Select/Field Display/RGB Display/YPrPb. HDR PQ/HLG output supported.

USE 

Photography

IMAGE PROCESSOR TYPE 

DIGIC DV7

SUPPORT FOR IN-BODY ELECTRONIC IS

The EOS C300 Mark III incorporates Electronic Image Stabilization (IS) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, Electronic IS is possible by manually inputting the focal length.

Canon Canon Eos C300 Mark Iii Camera

FALSE COLOUR DISPLAY (EXPOSURE INDICATION) 

Yes. Via MON, SDI OUT, VIDEO or HDMI Terminals

COLOUR BARS 

Smpte, ebu and arib colour bars available. See the menu..

MARKERS

On/Off selectable: center, horizontal, grid, aspect, safety zone, and rectangular marker. Colour selectable, yellow, blue, green, red, black, gray or white.

Canon Canon Eos C300 Mark Iii Camera

EVF 

-B
uilt- In EVF : No
-Optional EVF Accessory : Yes. OLED Electronic Viewfinder, EVF-V50 or EVF-V70

ZEBRA 

- Level 1; Level 2; Both
- Output via SDI or HDMI

PEAKING 

Peaking 1, Peaking 2 (Colour, Gain, Frequency customisable)

EFFECTIVE SENSOR SCREEN SIZE 

-Super 35 mm
-26.2 x 13.8 mm (29.6 mm on the diagonal) : When 4096 x 2160 or 2048 x 1080 is selected as the resolution
-24.6 x 13.8 mm (28.2 mm on the diagonal) : When 3840 x 2160 or 1920 x 1080 is selected as the resolution

Canon Canon Eos C300 Mark Iii Camera

MISC 

-C
ustom Dial : Yes
-Tally lamp : Yes
-Smartphone Application Support : Canon Multi-Camera Control / Browser Remote Control

POWER SUPPLY 

BP-A60 (Supplied), BP-A30 (Optional), V-Lock with EU-V2 / EU-V3, 11.5V - 20V, Mains 4-pin XLR

OPERATING TEMPERATURE RANGE 

-A
pprox. 0 to 40°C, (85% relative humidity) -Approx. -5 to 45°C, (60% relative humidity)

POWER CONSUMPTION 

-RAW: (4096x2160)
Super 35mm 1Gbps, 31.0W
Super 16mm 250Mbps, 28.7W
-XF-AVC: (4096x2160)
Super 35mm 810Mbps, 31.0W
Super 16mm 310Mbps, 28.7W

LENS

IRIS CONTROL (EF MOUNT LENSES) 

- 1/2-stop, 1/3-stop or FINE control.
- Via body, grip, wireless control or wired remote.
- Possible to maintain constant F-number during zoom.

CHANGEABLE LENS MOUNT 

Yes, User changeable to EF Cinema Lock or PL Mount

ND FILTER 

Up to 10 stops via built in ND filter system (in extended mode)

FOCUS CONTROL 

- PL Mount : Only Cine Servo lenses
- EF Mount : Via lens, wireless control or wired remote (dependent on lens used)


IMAGE STABILIZATION SYSTEM 

Optical depending on lens used, Digital 5-Axis IS for non-IS lenses. Combination of Optical IS and Digital IS to give combined 5-Axis IS

LENS MOUNT 

-Canon EF Mount. -PL mount via PM-V1 Accessory. -B4 mount via MO-4E/MO-4P adapters.

LENS MAGNIFICATION FACTOR (FOR EF MOUNT LENSES, INCLUDING CINEMA PRIMES) 

-Full Frame : 5952 x 3140 / 4096 x 2160 / 2048 x 1080: x1.00, 3840 x 2160 / 1920 x 1080: x1.056
-Super 35MM (Crop) : 4096 x 2160 / 2048 x 1080: x1.460, 3840 x 2160 / 1920 x 1080: x1.534
-Super 16mm (Crop) : 4096 x 2160 / 2048 x 1080: x2.920, 3840 x 2160 / 1920 x 1080: x3.069

COOKE/I TECHNOLOGY SUPPORT

Yes, with Frame Sync support (PL Mount Only)

PERIPHERAL ILLUMINATION CORRECTION 

Yes (dependent on lens used)

RECORDING

SCAN REVERSE 

Yes

HD->SD CONVERSION

No

PRE RECORD (CACHE RECORD) 

Yes, 3 seconds or 5 seconds, selectable

DOUBLE SLOT (SIMULTANEOUS) RECORDING 

Yes

PHOTO RECORDING SIZE 

- 4096x2160 
- 3840x2160
- 2048x1080 
- 1920x1080

RELAY RECORDING 

Yes

PHOTO STORAGE MEDIA 

SD/SDHC memory card

XF-AVC PROXY RECORDING BIT RATE/ SAMPLING (PAL) TO SD CARD

2048 X 1080: 50.00P, YCC 4:2:0 8-bit 35 Mbps/25.00P, YCC 4:2:0 8-bit 24 Mbps Long GOP

INTERVAL RECORD 

No

FRAME RECORD 

No

RECORDING TIME 

Cinema RAW Light 
4096 X 2160: 1 Gbps: 64 Mins
2048 X 1080: 250 Mbps 256 Mins
XF-AVC/MXF:
- 4096 X 2160: 810 Mbps 79 Mins / 410 Mbps 156 Mins
- 2048 X 2160: 310 Mbps 207 Mins / 160 Mbps 401 Mins

SYSTEM FREQUENCY/ FRAME RATES

-24.00Hz mode (24.00P)
-50.00Hz mode (50.00P / 50.00i / 25.00P) -59.94Hz mode (59.94P / 59.94i / 29.97P / 23.98P)

RECORDING FORMATS 

Cinema RAW Light (CRM), XF-AVC (MXF) ALL-I or Long GOP

INTERNAL RECORDING 

-CFexpress card x2 for Cinema RAW Light or XF-AVC / MXF, SD card for XF-AVC Proxy recording. -SD card also used for Photo Storage (Up to 4096 x 2160), CP setting transfer and firmware update.

SLOW/FAST MOTION 

-C
inema RAW Light : 5952 x 3140 / 4096 x 2160: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS. 24.00P / 23.98P: 12 - 60 FPS, 2048 x 1080: 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS
-XF-AVC, Full frame / Super 35mm (Cropped) : 4096 x 2160 / 3840 x 2160 (810 / 410 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS, 2048 x 1080 / 1920 x 1080 (310 / 160 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 60 FPS 24.00P / 23.98P: 12 - 60 FPS
-Super 16mm (Cropped) : 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS, 2048 x 1080 (35 / 24 Mbps): 59.94P / 29.97P / 50.00P / 25.00P: 15 - 120 FPS. 24.00P / 23.98P: 12 - 120 FPS

XF-AVC RECORDING BIT RATE/ SAMPLING (PAL) (4:2:2 10-BIT (INTRA-FRAME))

- 4096x2160 or 3840x2160 / 50P / 810 Mbps: approx. 79 Mins
- 4096x2160 or 3840x2160 / 25P / 410 Mbps: approx. 156 Mins
- 2048x1080 or 1920x1080 / 50P or 50i / 310 Mbps: approx. 207 Mins
- 2048x1080 or 1920x1080 / 25P / 160 Mbps: approx. 401 Mins

4:2:2 10-BIT (LONG GOP) 

- 4096x2160 or 3840x2160 / 50P / 260 Mbps: approx. 246 Mins
- 4096x2160 or 3840x2160 / 25P / 160 Mbps: approx. 401 Mins
- 2048x1080 or 1920x1080 / 50P or 50i / 50 Mbps: approx. 1284 Mins
- 2048x1080 or 1920x1080 / 25P / 50 Mbps: approx. 1284 Mins

CINEMA RAW LIGHT BIT RATE/BIT DEPTH (PAL) (12-BIT CINEMA RAW LIGHT HQ)

-F
F / 5952 x 3140 / 25P / 1770 Mbps: approx. 38 Mins  -4:3 / 4192x3140 / 25P / 1250 Mbps: approx. 54 Mins  -6:5 / 3768x3140 / 25P / 1350 Mbps: approx. 50 Mins  -S35 / 4096x2160 / 50P / 1690 Mbps: approx. 40 Mins  -S35 / 4096x2160 / 25P / 841 Mbps: approx. 81 Mins  -S16 / 2048x1080 / 50P / 426 Mbps: approx. 160 Mins  -S16 / 2048x1080 / 25P / 213 Mbps: approx. 320 Mins

(12-BIT CINEMA RAW LIGHT LT)

-FF / 5952 x 3140 / 50P / 1140 Mbps: approx. 59 Mins -FF / 5952 x 3140 / 25P / 556 Mbps: approx. 122 Mins -4:3 / 4192x3140 / 50P / 799 Mbps: approx. 85 Mins -4:3 / 4192x3140 / 25P / 400 Mbps: approx. 170 Mins -6:5 / 3768x3140 / 50P / 719 Mbps: approx. 94 Mins -6:5 / 3768x3140 / 25P / 360 Mbps: approx. 189 Mins -S35 / 4096x2160 / 50P / 538 Mbps: approx. 126 Mins -S35 / 4096x2160 / 25P / 269 Mbps: approx. 253 Mins -S16 / 2048x1080 / 50P / 137 Mbps: approx. 498 Mins -S16 / 2048x1080 / 25P / 69 Mbps: approx. 989 Mins

(12-BIT CINEMA RAW LIGHT ST)

-F
F / 5952 x 3140 / 50P / 1750 Mbps: approx. 39 Mins  -FF / 5952 x 3140 / 25P / 871 Mbps: approx. 78 Mins  -4:3 / 4192x3140 / 50P / 1230 Mbps: approx. 55 Mins  -4:3 / 4192x3140 / 25P / 615 Mbps: approx. 111 Mins  -6:5 / 3768x3140 / 50P / 1110 Mbps: approx. 61 Mins  -6:5 / 3768x3140 / 25P / 553 Mbps: approx. 123 Mins  -S35 / 4096x2160 / 50P / 828 Mbps: approx. 82 Mins  -S35 / 4096x2160 / 25P / 414 Mbps: approx. 164 Mins  -S16 / 2048x1080 / 50P / 210 Mbps: approx. 325 Mins  -S16 / 2048x1080 / 25P / 105 Mbps: approx. 650 Mins

INPUTS/OUTPUTS

COMPONENT OUT 

No

AV TERMINAL 

No

HEADPHONE OUTPUT 

3.5 mm stereo mini jack (output only, Camera Body).

VIDEO MONITOR OUTPUT 

MON: 1x 3G-SDI BNC terminal (output only, Camera Body).

TALLY SIGNAL 

- Yes, requires optional EU-V3.
- Rec tally out / rec trigger in via hirose 4-pin terminal

SDI OUTPUT  

1x 12G-SDI BNC terminal, 4K to 2K/FHD conversion available (output only, Camera Body)

GENLOCK 

Yes, with optional Expansion Unit EU-V1 and EU-V2. BNC jack (input only/also serves as SYNC OUT connector)

HDMI 

HDMI connector (type A) (output only, Camera Body).

USB 

Yes, Input only, Camera Body. (GP-E2 connection)

DC OUTPUT 

- EU-V3: 12V/2A via Hirose 4-pin output
- Yes, requires optional EU-V2 or EU-V3 accessories.
- EU-V2: 24V/2A via Fischer 3-pin output / 50W D-Tap output

LENS TERMINAL 

Yes, requires optional EU-V2 / EU-V3. 12-pin jack

REMOTE CONTROL TERMINAL 

-R
emote a connector 2.5 mm stereo jack (input only) -Remote b connector round 8-pin jack (for rs-422) with optional eu-v1 / eu-v2 / eu-v3

AUDIO IN 

- 2x 3-pin XLR Inputs, 1x 3.5 mm stereo mini jack (input only, powered)
- XLR Input 1 / 2 on camera body. XLR Input 2 / 3 via optional Expansion Unit EU-V2

WIRELESS CONTROL TERMINAL 

Yes

DC INPUT 

- 11.5 -20V
- XLR 4-pin jack

IP STREAMING & CONTROL 

- Canon XC Protocol supported.
- Canon Browser Remote supported.
- Yes, via Ethernet / Wi-Fi connection.
- 9 Mbps / 4 Mbps: 1920 x 1080 (59.94p / 59.94i / 50.00p / 50.00i) (EU-V1 / EU-V2 / EU-V3 required)

LUT INPUT 

Yes, available for monitoring or applied directly to recordings. Compatible with .Cube lut files

VIDEO CONNECTOR 

Canon’s proprietary specification (special 13-pin jack) for LM-V2 Monitor or optional EVF-V70 viewfinder or LM-V1 monitor

ETHERNET TERMINAL 

Yes, requires optional eu-v1 / eu-v2 / eu-v3. Ethernet connector (rj45) (supports 1000 base-t)

TIME CODE 

BNC jack (input/output, Camera Body).

SYNC 

Bnc jack (output only/also serves as genlock connector)

RETURN SIGNAL INPUT 

- Yes, requires optional EU-V3.
- 1x BNC terminal input (supporting 3G/HD-SDI signals)
- Return output destinations : VIDEO / EVF-V50 / MON / HDMI / SDI OUT

EXPOSURE

EXPOSURE COMPENSATION 

Yes

AUTO EXPOSURE MODE 

Auto Iris with compatible lenses

AF FRAME SIZES (EF MOUNT) 

-L
arge; size equivalent to approx. 20% (vertical) x 25% (horizontal) of the image display range -Small; size equivalent to approx. 20% (vertical) x 8% (horizontal) of the image display range -Selectable AF point over 80% horizontal / 80% vertical (approx.) of sensor -Auto Focus Modes (EF Mount) -One-Shot AF, Continuous AF, and AF-Boosted MF. All modes take effect when the AF/MF switch of the EF lens is at the AF setting. -One-Shot AF, Continuous AF, AF-Boosted MF

PUSH AUTO IRIS 

Yes, EF model all compatible lenses, PL Version compatible Canon Cine Servo lenses only with 12-pin connection on optional EU-V2 / EU-V3

AUTO FOCUS SYSTEM (EF MOUNT) 

Dual Pixel CMOS AF, Contrast AF

FOCUS GUIDE 

EF version: All compatible Canon EF lenses, Canon Cine Servo Lenses

EXPOSURE METERING 

Manual exposure determined by shutter setting, iris setting, ISO/gain setting and ND filter setting, Push Auto Iris, Auto Iris

EXPOSURE LOCK 

No

AUTO GAIN CONTROL SETTING

Yes

ISO SENSITIVITY 

-1
-Stop Display: [100], 160(*), 200, 400, 800, 1600, 3200, 6400, 12800, 25600, [51200, 102400] [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF -1/3 Stop Display: [100,125], 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12800, 16000, 20000, 25600, [32000,40000,51200,64000, 80000,102400] [---] When ISO speed expansion is ON.

FACE DETECTION AF (EF VERSION ONLY) 

- Yes, supporting frame rates up to 120p.
- Face Priority or Face Only modes available.

GAIN SETTING

-[-6dB, -3dB], -2dB (*), 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, 27dB, 30dB, 33dB, 36dB, 39dB, 42dB, [45dB, 48dB, 51dB, 54dB], [---] Displayed when ISO speed expansion is ON. (*) Displayed when ISO speed expansion is OFF. -When ISO speed expansion is ON: between -2 dB and 54 dB -When ISO speed expansion is OFF: Any value from -2 dB to 42 dB in 0.5 dB increments can be set.

CUSTOM PICTURE

MASTER PEDESTAL 

-50 to +50

LOW KEY SATURATION 

Adjustable: -50 to +50

COLOUR MATRIX 

-N
eutral : Accurate colour reproduction
-Production Camera : Colour reproduction for use in movie production
-Video : Colour reproduction equivalent to C300/500 CP-OFF (for commercial cameras)

HDR-HLG PROFILE

-B
T.2100 : Corresponds to ITU-R BT.2100
-Vivid : Corresponds to Traditional Colour in ITU-R BT.2390

BLACK GAMMA 

Adjustable Level -50 to +50, Range -20 to +50 and Point -20 to +50

MASTER BLACK 

Adjustable for each channel RGB -50 to +50 plus Master Black -50 to +50

NOISE REDUCTION 

Off, On (1 to 12)

SETUP LEVEL 

-50 to +50 On/Off

SHARPNESS 

Adjustment for Level, H Detail Freq., Coring, HV Detail Balance, Limit, Select, Knee Aperture and Level dependent sharpness

WHITE BALANCE 

AWB, USER setting (setting range: 2000K to 15000K/ -20CC to
+20CC), daylight, tungsten, settings (A/B)

COLOUR MATRIX 

Phase, Gain and RGB adjustment, in tandem with Gamma selection

SELECTIVE NOISE REDUCTION 

Off, Low, Middle, High / Hue, Chroma, Area, Luminance.

SKIN DETAIL 

Off, Low, Middle, High / Hue, Chroma, Area, Luminance. 32 steps

KNEE 

Point -50 to +109, Slope -35 to +50, Saturation -10 to +10

COLOUR CORRECTION 

Area selection / area revision of two areas

STORED CONFIGURATIONS 

- C1: BT.709 Wide DR (Wide DR / BT.709 Gamut)
- C2: LOG2 (Canon Log 2 / Cinema Gamut)
- C3: LOG3 (Canon Log3 / Cinema Gamut
- C4: PQ (PQ / BT.2020 Gamut)
- C5: HLG (HLG / BT.2020 Gamut)
- C6: BT.709 Standard (BT.709 Standard / BT.709)
- C7: EOS Standard (BT.709 Wide DR / BT.709)
- C8: EOS Neutral (BT.709 Wide DR / BT.709)
- C9: Canon 709 (Canon 709 / BT.709)
- USER10 to USER20 (Wide DR / BT.709 Gamut)

DETAIL

BLACK BALANCE ADJUSTMENT 

Yes

AUDIO 

Recording : Linear PCM (24-bit / 48kHz), 4 channels

TIME CODE 

-S
tart value setting : “00:00:00:00”, Set/Reset selectable
-Count up system : Regen, RecRun, Free Run, External, Hold (Drop frame available for some frame rates)

WHITE BALANCE 

- Auto : Yes
- White Balance Matching : Yes, for previous models
- White Balance Shift : Yes. -9 to +9 (daylight and tungsten only)
- Preset : Daylight (5400K), Tungsten (3200K), Kelvin (2000K-15000K, 100K intervals), Set A, Set B

SHUTTER 

- Shutter Angle : 11.25º to 360º depending on frame rate
- Control Modes : Off; Speed; Angle; Clear Scan (CS); Slow Shutter (SLS)
- Slow Shutter (SLS) : 1/3, 1/4, 1/6, 1/8, 1/12, 1/15, 1/25, 1/30 depending on frame rate
- Clear Scan : 24.00 Hz* to 250.40 Hz (*) The frequency will differ depending on the frame rate setting.
- Shutter speed : 1/3 stop: 1/12 to 1/1600, 1/2000 (24 settings), 1/4 stop: 1/12 to 1/1700. 1/2000 (31 settings)

WI-FI & GPS SPECIFICATIONS    

-G
PS Information (Optional Accessory) : Latitude/Longitude/Elevation, Coordinated Universal Time (UTC)
-Wi-Fi (Optional Accessory) : WPS [Wi-Fi Protected Setup] (push-button system, PIN code system), Manual setup, Search for access points Open system, WPA-PSK, WPA2-PSK, WEP-64, WEP-128, TKIP, AES, Auto /manual

WEIGHT (ACCESSORIES)

- Body cap : Approx. 17g
- Eye cap : Approx. 26g
- Mic holder unit : Approx. 56g
- Handle unit : Approx. 227g
- Thumb rest : Approx. 9g
- Unit Cable UN-5:  Approx. 80g
- Battery Pack BP-A60 : Approx. 434g
- LCD Monitor LM-V2 : Approx. 204g
- Camera Grip GR-V1 : Approx. 260g
- LCD Attachment Unit LA-V2 Approx. 265g
- Battery Charger CG-A20 : Approx. 145g
- Extension System Attachment Bracket : Approx. 11g
- Compact Power Adapter CA-CP200B : Approx. 290g (Not including AC cable)

FUNCTIONS

Canon Canon Eos C300 Mark Iii Camera

DUAL PIXEL FOCUS GUIDE 

Dual Pixel CMOS AF phase-difference technology provides an innovative graphical guide that represents front/back focus deviation; the rectangle turns green when the subject is in focus, improving usability and accuracy when manual focus pulling, especially for critical focusing in 4K.

Canon Canon Eos C300 Mark Iii Camera

TRACKING AF 

Simply use the touchscreen to select an object in the frame and it will be tracked as it moves within it, enabling effortless subject tracking, taking all the hard work away.

Canon Canon Eos C300 Mark Iii Camera

FACE PRIORITY AF / FACE ONLY AF 

Working together with Canon Face Detection technology, Dual Pixel CMOS AF is excellent at automatically recognising a face, focusing and following it while it moves.

Canon Canon Eos C300 Mark Iii Camera

AUTOMATICALLY OBTAINS FOCAL LENGTH 

When a lens that supports data transmission is attached, focal length data is automatically received through the digital contacts for shooting with optimized Electronic IS.

Canon Canon Eos C300 Mark Iii Camera

ELECTRONIC IS WITH NON-ELECTRICAL CONTACT LENSES 

Shooting with Electronic IS is possible even when a lens that does not support data transmission is attached by simply manually inputting the focal length. It is also compatible with anamorphic lenses.

Canon Canon Eos C300 Mark Iii Camera

FOCAL LENGTH CAN BE SAVED 

Just select focal length during shooting to shoot with an electronic IS effect optimized for the settings.

Canon Canon Eos C300 Mark Iii Camera

NEW OSD LAYOUT 

Newly added On-Screen Display (OSD) peripheral displays options that do not overlay information on the screen are available – choose from several options according to your needs.

Canon Canon Eos C300 Mark Iii Camera

ANAMORPHIC LENS SUPPORT 

EOS C500 MARK II supports anamorphic lenses by electronically de-squeezing the image in the viewfinder and on connected monitors for viewing. In addition, 4:3 (4192 x 3140) and 6:5 (3768 x 3140) shooting resolutions are supported. Users can take advantage of the camera's full 5.9K resolution by using 1.3x squeeze anamorphic lenses. Popular 2x and 1.8x anamorphic lenses are also supported.

Canon Canon Eos C300 Mark Iii Camera

USER LUT SUPPORT 

In addition to Canon’s in-built Cinema EOS lookup tables, import custom 3D LUTs for both viewing and internal recording, for even more efficient colour pipeline workflows. A dedicated LUT button gives additional operational flexibility.

ADVANCED INTERFACE 

The EOS C500 Mark II features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Similarly, the HDMI interface can also deliver 4K 50/60p over a single cable. Monitor and HDMI terminals can operate simultaneously, and the 12G-SDI output features 2K or FHD options when shooting at 4K for additional flexibility.

Canon Canon Eos C300 Mark Iii Camera

FULL FRAME ND FILTER 

Equipped with a robust built-in electronically controlled ND filter system, EOS C500 Mark II supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with a shallow depth of field, even in the daytime.

Canon Canon Eos C300 Mark Iii Camera

ACES SUPPORT 

The eos c500 mark ii supports aces 1.0 of the academy color encoding system. Using canon supplied idts, images captured on the eos c500 mark ii can be imported directly into the aces compatible systems. Additionally, video output from the camera can be monitored by selecting the aces proxy.

Canon Canon Eos C300 Mark Iii Camera

FIRST CINEMA EOS TO SUPPORT ELECTRONIC IS 

Eos c500 mark ii is the first cinema eos camera to incorporate electronic image stabilization (is) into the camera body, supporting 5-axis camera shake correction. Even when used with lenses with no electronic lens communication, electronic is is possible by manually inputting the focal length.

Canon Canon Eos C300 Mark Iii Camera

HIGH FRAME RATES 

The EOS C500 Mark II supports high frame rate recordings up to a maximum 50/60 fps at 5.9K. In 2K (crop) mode, settings from 1fps to a maximum 120fps can also be made, increasing creative possibilities. The new Slow & Fast button gives quick access for Slow & Fast settings.

Canon Canon Eos C300 Mark Iii Camera