Sony Venice Digital Cinema Camera
VENICE DIGITAL CINEMA CAMERA
VENICE DIGITAL CINEMA CAMERA
Full-frame digital cinema camera with phenomenal colour science and creative versatility. An ultra-wide colour space, full-frame flexibility and a high-speed read-out for LED synch make VENICE ideal for Virtual Production.
FEATURES
6K HIGH RESOLUTION
The stunning full 6K resolution of the camera can be recorded directly in X-OCN (16 bit eXtended tonal range Original Camera Negative) file format. Also, XAVC 4K can be captured onto SxS cards while still sampling from the full 6K resolution of the sensor.
WORLD’S FIRST 8-STEP MECHANICAL ND FILTERS*
Venice is the world’s first camera of its class with a servo-controlled 8-step mechanical nd filter mechanism built into the camera chassis. It offers a massive nd of 0.3 (1/2 = 1 stop) to nd2.4 (1/256 = 8 stops) range that reduces time lost on set changing external filters. The nd filters also greatly increase venice’s flexibility when being controlled remotely on drones and cranes, or in an underwater housing.
PAINT CONTROL FROM RM/RCP UNITS
The unit supports control from an RM/RCP panel that can be used with broadcast camcorders and system cameras. When connected, ITU-R Rec. 2020 color space and HLG are selectable and adjustment of various paint parameters is supported.
NEXT GENERATION VIEWFINDER
The DVF-EL200 was created as the perfect partner for VENICE. A 1920 x 1080 OLED panel enables precise, high resolution focusing and framing, including False Colour Display at the touch of a button. A rotary encoder provides instant access to brightness, peaking and contrast. An all-new ergonomic design allows for tool-free attachment/detachment and reconfiguring within seconds. The industry-standard LEMO connector offers exceptional durability.
EASILY CONFIGURABLE
The venice and venice 2 have a fully modular design and even the sensor block is removable. This allows filmmakers to separate the sensor from camera body with the Camera Extension System*. VENICE 2 owners have the ability to change between the original 6K sensor or the all-new 8K sensor, similar to film stock. In order to improve ergonomic balance for operators, the top handle and viewfinder are easily adjustable.
As the height of the camera from the bottom to the optical sensor of the lens mount is the same as the F55, base plates and other accessories used for the F55 can be used with VENICE. The AXS-R7 recorder can be attached to VENICE with just four screws.
Camera Extension System (CBK-3610XS and CBK-3620XS) gives you flexibility for many mounting setups to VENICE
36X24MM FULL-FRAME SENSOR FOR CINEMA
VENICE is equipped with a 36x24mm full-frame image sensor, designed specifically for high end cinematography, and can capture images up to a maximum resolution of 6048 x 4032. By switching imager modes, VENICE can natively support Super35 24.3 x 18.0mm, 4096 x 3024 resolution (equivalent to 4-perforation motion picture film) and Super35 24.3 x 12.8mm, 4096 x 2160 resolution (equivalent to 3-perforation motion picture film). In other words, VENICE’s new full-frame sensor can capture in almost any format, including full 18mm-height Super35 Anamorphic and spherical and full-frame 24mm-height Anamorphic and spherical.
Almost any aspect ratio can be conjured up: 1.85:1, 2.39:1, 17:9, the list goes on in full-frame or Super35. With VENICE, Sony is giving users the option to customize their camera by only enabling the features as needed, according to individual production requirements. Licenses are available to expand the camera’s capabilities including 4K anamorphic and 6K full-frame.
PHENOMENAL LATITUDE
VENICE has an exceptional 15+ stops of latitude, with low noise for extraordinary performance in delivering phenomenal images in conditions from searing sunlight to almost no light. VENICE’s real-world performance also excels at High Dynamic Range imaging and allows unprecedented creative freedom in grading
CAMERA SIMULATOR
Sony’s VENICE Camera Simulator is an interactive training tool that represents the CineAlta camera’s menu-driven user interface.
BEAUTIFUL IMAGE
Satisfied with the current condition? With the wide latitude and gamut recorded by the VENICE, freedom of expression is significantly expanded in grading and based on established workflow.
HIGH PERFORMANCE, PROVEN RECORDING FORMATS
VENICE offers complete production flexibility. Internally, VENICE can support XAVC, ProRes or MPEG HD recording onto SxS memory card. Additionally, by using the AXS-R7 recorder, it can record 16 bit RAW or X-OCN (16-bit eXtended tonal range Original Camera Negative) onto AXS memory card.
RELIABLE PARTNER FOR CREATIVITY
Venice is a cinema camera created by and for the cinematographer. It’s equipped with a newly developed full-frame image sensor meeting the needs of the film industry in pushing the boundaries of large format image capture with exceptional picture quality.
INFORMATION
BRAND
Sony
PRODUCT TYPE
Camera
MASS
Approx. 3.9kg (8lb 9.6oz) (excluding handle, VF attachment, bottom cover)
RECORDING FORMAT (RAW SQ) REQUIRED AXS-R7
-4K 17:9 (4096 x 2160) : 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-3.8K 16:9 (3840 x 2160) : 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
SELECT FPS
-4K 2.39:1 1-120FPS, 4K 17:9 1-110FPS, 3.8K 16:9 1-110 FPS
-4K 4:3 1-75 FPS, 4K 6:5 1-72 FPS
-6K 2.39:1 1-90 FPS, 6K 17:9/1.85:1 1-72 FPS, 5.7K 16:9 1-72 FPS
-6K 3:2 1-60 FPS
PRODUCTION
Made in United Kingdom
OPERATING TEMPERATURE
0 ～ 40℃
POWER CONSUMPTION
Approx. 60 W
IMAGING DEVICE
35 mm full size, single-chip CMOS image sensor
DIMENSIONS
- Width : 147 mm (5 7/8 in)
- Height 158 mm (6 1/4 in)
- Length : 235 mm (9 3/8 in)
RECORDING FORMAT (X-OCN ST/LT) REQUIRED AXS-R7
-6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
STORAGE TEMPERATURE
-20℃ 〜 60℃
POWER REQUIREMENTS
- DC12 V (11～17.0 V)
- DC24 V (22~32.0 V)
LATITUDE
15+ Stop
IMAGING DEVICE PIXEL COUNT
24.8 M (total)
BUILT-IN ND FILTERS
Clear, 0.3 (1/2), 0.6 (1/4), 0.9 (1/8), 1.2 (1/16), 1.5 (1/32), 1.8 (1/64) 2.1 (1/128), 2.4 (1/256)
LENS MOUNT
- PL Mount
- E-mount (lever lock type, without supplied PL lens mount adaptor)
PRE-INSTALLED SOFTWARE
This product contains pre-installed software and requires the purchase of licence keys to activate some functions.
IMAGING DEVICE SIZE
36.2 x 24.1 mm 43.5 mm Diagonal
WHITE BALANCE
2000~15000Kelvin and Green/Magenta adjust, AWB
RECORDING FORMAT (X-OCN XT) REQUIRED AXS-R7
-6K 3:2 (6048 x 4032): 23.98p, 24p, 25p, 29.97p
-6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p
-6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p
-5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p
-4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
-3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
RECORDING FORMAT (SXS MEMORY)
- XAVC QFHD Class480 : 23.98p, 25p, 29.97p
- HD ProRes 4444: 23.98p, 24p, 25p, 29.97p
- XAVC 4K Class480 : 23.98p, 24p, 25p, 29.97p
- XAVC QFHD Class300 : 23.98p, 25p, 29.97p, 50p, 59.94p
- XAVC 4K Class300 : 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
- MPEG HD422 (1920 x 1080) : 23.98p, 25p, 29.97p, 50i, 59.94i
- HD ProRes 422 : 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
- HD ProRes 422HQ : 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
- HD ProRes 422 Proxy : 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
GAMMA CURVE
S-Log3
MEDIA TYPE
- SD card slot x 1
- ExpressCard / 34 slot x 2
BEAUTIFUL IMAGE
Satisfied with the current condition? With the wide latitude and gamut recorded by the VENICE, freedom of expression is significantly expanded in grading and based on established workflow.
HIGH FRAME RATE
The optional High Frame Rate license allows VENICE to shoot at speeds of up to 120fps at 4K 2.39:1, and 60fps at 6K 3:2 as well as up to 110fps at 4K 17:9, 90fps at 6K 2.39:1, 72fps at 6K 17:9, 72fps at 6K 1.85:1 and 75fps at 4K 4:3 with anamorphic license.
INPUTS/OUTPUTS
-Remote : 8pin x 1
-VF : LEMO 26pin
-HDMI Output : Type A x 1
-DC Input : XLR-type 4pin (male)
-HD MONI Output : BNC x 1 (1.5G-SDI)
-SDI Output : BNC x 4, (12G, 3G, 1.5G-SDI)
-Battery DC Input : Square-shaped 5pin connector
-Timecode Input : BNC x 1
-Genlock Input : BNC x 1
-AUX :LEMO 5pin (female) x 1 (Timecode Output)
-Audio Input : XLR-type 5pin (female) x 1 (LINE/ AES/EBU / MIC / MIC+48V selectable)
-DC Output : 12V: Hirose 4pin x 1,
24V: Fischer 3pin x 2
-USB : USB host, type-A x 1
-Speaker Output : Monoral
-Headphone Output : Stereo mini jack x 1
-Network : RJ-45 type x 1, 10BASE-T, 100BASE-TX
-Lens Mount Hot Shoe : 4pin x 2, conforming to Cooke /i Intelligent Electronic Lens System
VENICE SENSOR MODES
VENICE SENSOR MODES
| SOFTWARE LICENSE | IMAGER MODE | RESOLUTION | W X H (MM) | PROJECT FRAME RATE | SELECT FPS | SELECT FPS W/HFR LICENSE |
|---|---|---|---|---|---|---|
| License not Required* | 3.8K 16:9 | 3840 x 2160 | 22.8 x 12.8 | 23, 24, 25, 29, 47, 50, 59 | 1 - 60 | 66, 72, 75, 88, 90, 96, 100, 110**** |
| License not Required* | 3.8K 16:9 (Surround View) | 3840 x 2160 (4268 x 2400) | 22.8 x 12.8 (25.4 x 14.3) | 23, 25, 25, 29, 47 | 1 - 48 | - |
| License not Required* | 4K 2.39:1 | 4096 x 1716 | 24.3 x 10.3 | 23, 24, 25, 29, 47, 50, 59 | 1 - 60 | 66, 72, 75, 88, 90, 96, 100, 110, 120 |
| License not Required* | 4K 17:9 | 4096 x 2160 | 24.3 x 12.8 | 23, 24, 25, 29, 47, 50, 59 | 1 - 60 | 66, 72, 75, 88, 90, 96, 100, 110 |
| License not Required* | 4K 17:9 (Surround View) | 4096 x 2160 (4552 x 2400) | 24.3 x 12.8 (27.0 x 14.3) | 23, 24, 25, 29, 47, 50**, 59** | 1 - 48 | - |
| Anamorphic License | 4K 4:3 | 4096 x 3024 | 24.3 x 18.0 | 23, 24, 25, 29, 47, 50**, 59** | 1 - 48 | 49-60, 66, 72, 75 |
| Anamorphic License | 4K 4:3 (Surround View) | 4096 x 3024 (4552 x 3360) | 24.3 x 18.0 (27.0 x 20.0) | 23, 24, 25, 29 | 1 - 30 | - |
| Anamorphic License | 4K 6:5 | 4096 x 3432 | 24.3 x 20.4 | 23, 24, 25, 29 | 1 - 30 | 31-60, 66, 72**** |
| Full-Frame License* | 5.7K 16:9 | 5674 x 3192 | 33.7 x 19.0 | 23, 24, 25, 29 | 1 - 30 | 31-60, 66, 72**** |
| Full-Frame License* | 6K 2.39:1 | 6048 x 2534 | 35.9 x 15.0 | 23, 24, 25, 29, 47***, 50***, 59*** | 1 - 30 | 31-60, 66, 72, 75, 88, 90 |
| Full-Frame License* | 6K 17:9 | 6054 x 3192 | 36.0 x 19.0 | 23, 24, 25, 29, 47***, 50***, 59*** | 1 - 30 | 31-60, 66, 72 |
| Full-Frame License* | 6K 1.85:1 | 6054 x 3272 | 36.0 x 19.4 | 23, 24, 25, 29, 47***, 50***, 59*** | 1 - 30 | 31-60, 66, 72 |
| Full-Frame License* | 6K 3:2 | 6048 x 4032 | 35.9 x 24.0 | 23, 24, 25, 29**, 47***, 50***, 59*** | 1 - 25 | 26-60 |
DETAIL
VENICE EXTENSION SYSTEM 2
The CBK-3620XS VENICE Extension System 2 allows for new levels of shooting flexibility with no compromise to image quality. Developed alongside VENICE 2 it offers wider bandwidth to support the VENICE 2’s 8K sensor, over twice as much cable distance (up to 12m) without a repeater box, additional control buttons and a built-in gyro sensor. The Extension System consists of a front panel cover, image sensor block case with a choice of 3m and 12m extension cables. The new Extension System is fully compatible with VENICE 2 using the 8K or 6K sensors with latest firmware. It is also compatible with the original VENICE using latest firmware, including gyro sensor and four assignable buttons.
4K MONITOR OUT
6G/12G-SDI switchable output enabling single 4K SDI output during RAW/X-OCN and HD simultaneous recording using a single BNC cable to simplify on-set operations. For highest quality on-set monitoring, Sony’s PVM-X1800 and PVM-X2400 TRIMASTER 4K HDR monitors offer precision reproduction at ultra-high definition with a resolution of 3840 x 2160 pixels and an impressive brightness of all-white luminance of 1000 cd/m2. To empower filmmakers to make critical imaging decisions, their wide colour gamut matches the industry-leading BVM-HX310 TRIMASTER HX master monitor. The PVM X Series are highly portable to support 4K HDR production for applications such as on-set monitoring for a DIT cart and/or Video village.
SIMULTANEOUS RECORDING FOR FASTER WORKFLOW
A key benefit of VENICE is simultaneous recording using two recording media. For example, a production could use RAW/X-OCN data recorded by AXS-R7 for online editing and also use XAVC, Apple ProRes or MPEG HD for offline editing without waiting for any file conversion. As VENICE can also record XAVC 4K and RAW/X-OCN* simultaneously, another option would be to use XAVC 4K for quick turnaround mainstream production while using simultaneously recording RAW/X-OCN as a future-proof archive suitable for the highest quality HDR applications. Even without using AXS-R7, VENICE itself can record XAVC 4K and Apple ProRes 422 Proxy* simultaneously. VENICE is designed to support both the highest quality imagery and high speed workflows.
CREATIVE FREEDOM
-Full-Frame Full width 36 mm 6K : In full-frame, you can use the full 6048 pixel width of the sensor for widescreen spherical 2.39:1 or Large Format Scope. Full-Frame can be used creatively in a number of ways – for example, to allow for extra shallow depth of field or super-wide shooting.
-Super35 full height 2.0x squeeze Anamorphic : For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported.
-Super35 17:9 and 16:9 : These popular imager sizes are natively supported by VENICE. Current Super35mm PL mount lenses can be used.
PRECISION MONITORING PERFORMANCE
-Surround View (Look Around) : Camera operators always appreciate a warning when mic booms or other distractions threaten to enter the frame. Using Surround View mode, the viewfinder and on-set monitors can display a 5% margin around area being recorded.
-High Resolution Magnification : High resolution content requires highly precise focus. VENICE offers up to 4.0x Dot-by-Dot magnification of the viewfinder image for superb focus accuracy.
Magnification
(Look Around)
DUAL BASE ISO
VENICE has a base ISO of 500 to provide the optimal dynamic range for typical cinematography applications with on-set lighting. A secondary High Base ISO of 2500 excels in low-light High Dynamic Range capture, with an exposure latitude from 6 stops over to 9 stops under 18% Middle Gray, for a total of 15 stops. High Base ISO 2500 is ideal whenever you’re using slow lenses or shooting dimly lit environments.
Combining ISO2500 with VENICE’s internal eight-step Optical ND filter system offers the ability to emulate different ISO’s while maintaining maximum latitude of +6 and -9 stops, enabling you to use VENICE as an ISO1250 camera.
LENS MOUNT FLEXIBILITY
-Lever lock type E-mount : Choose from the growing eco-system of E-mount lenses and, via third party adaptors, the world of SLR and rangefinder lenses. Lever lock operation provides added security with large lenses and in most cases lens support rigs don’t need to be removed when changing lens. Switching from PL Mount to E-mount is can be done by simply removing six hex screws while E-mount lens iris operation is controllable via assignable button.
-PL lens mount : Venice comes with the industry-standard pl lens mount. It is compatible with all super35 and full-frame pl lenses, spherical and anamorphic. The lens mount includes contacts that support cooke/I technology. Lens information is recorded as metadata frame by frame.
