ARTERA PRE ANALOGUE PREAMPLIFIER
ARTERA PRE ANALOGUE PREAMPLIFIER
The new Artera Pre from QUAD, Britain’s original high-end audio company, draws upon the company’s rich technical heritage whilst being a design firmly of the present.
The first dedicated analogue preamplifier to join QUAD’s Artera Series, the company’s flagship range of solid-state audio electronics, the Artera Pre reintroduces a famous QUAD feature – the Tilt control.
INFORMATION
BRAND
Quad
PRODUCT TYPE
Preamplifier
ANALOGUE INPUTS
3 x RCA (AUX1, 2 & 3), XLR, Phono MM/MC
ANALOGUE OUTPUTS
1 x RCA (PRE OUT), 1 x RCA(AUX), 1 x XLR,1 x 6.35mm Headphone Jack
PRODUCT DIMENSIONS
- Width : 320 mm
- Height : 105 mm
- Depth : 320 mm
NET WEIGHT
7.8kg
USE
Entertainment
INPUT HEADROOM (THD < 0.1% , VOL = 50)
- 4.1Vrms (RCA)
- 8.2Vrms (XLR)
- 62mV (Phono MM) / 6.2mV (Phono MC) @ 1kHz
FREQUENCY RESPONSE
20Hz-20kHz (± 0.2dB)
PRODUCTION
Made in United Kingdom
CHANNEL SEPARATION
>100dB (10kHz)
TOTAL HARMONIC DISTORTION
<0.002% (20Hz-20kHz)
INPUT SENSITIVITY (VOL = 84, VOUT = 0DBU)
- 775mV (Line/XLR)
- 4.1mV (Phono MM)
- 410uV (Phono MC)
GAIN (MAX.) , VOLUME = 100
- +8dB (Line/XLR)
- +53.5dB (Phono MM)
- +73.5dB (Phono MC)
MAX. OUTPUT LEVEL (THD < 0.1%)
- 2.3Vrms (RCA)
- 4.6Vrms (XLR)
OUTPUT IMPEDANCE
120 Ohms (RCA) 100 Ohms (XLR)
INPUT IMPEDANCE
- 10K (Line/XLR)
- 47K//100pF (Phono MM)
- 100R//1.7nF (Phono MC)
S/N RATIO (VOUT = 0DBU)
- >110dB(A) (Line/XLR)
- >80dB(A) (Phono MM)
- >76dB(A) (Phono MC)
AVAILABLE COLORS
2
FRONT PANEL
Aluminium Front Panel
DOWNLOAD
↓ Manual
STANDBY CONSUMPTION
<0.5W
AC MAINS SUPPLY REQUIREMENT(FACTORY SET)
- 230V ~ 50-60Hz
- 115V ~ 50-60Hz
- 100V ~ 50-60Hz
FLAGSHIP ARTERA AUDIO SYSTEM
The Artera Pre joins the Artera Play+ CD player/DAC/preamp, Artera Stereo power amp and Artera Solus all-in-one system in QUAD’s flagship range of solid-stage audio electronics. The Artera Pre and Stereo are perfect partners – the latter sports the latest version of QUAD’s famous Current Dumping topology to deliver a captivating combination of dynamic power, vice-like grip and sumptuous sonic detail from a compact, cool-running power amp.
PREMIUM PHONO & HEADPHONE PERFORMANCE
Vinyl lovers and headphone users are well catered for with dedicated, high-quality circuitry. The Artera Pre’s low-noise, Class A phono stage is configurable for both MM and MC cartridges, while an integrated headphone amplifier features a discrete, Class A output stage with low output impedance to drive even the toughest of loads.
Four stereo RCA inputs are provided – three line-level and one phono – plus one balanced XLR. All inputs can run in direct mode if preferred, bypassing all other circuitry to provide the shortest possible signal path from input to output. Unlike many preamps with balanced inputs, the Artera Pre’s four-channel volume control enables the audio signal to remain fully balanced throughout.
DETAIL
THE RETURN OF QUAD’S ICONIC TILT CONTROL
The tilt control is unique to quad and is a subtle, precise and consistent way to adjust sound to compensate for different recordings and the acoustic anomalies of different rooms. Though much acclaimed when it was introduced and still admired to this day, it hasn’t featured on a new quad product for a decade – the artera pre is the perfect opportunity for its return.
CLASSIC QUAD– REDESIGNED FOR THE MODERN AGE
While the inclusion of these facilities echoes the classic quad 34 preamp, the artera pre is otherwise a very different beast both inside and out. The quad 34 is known for its ‘velvety’ tone, in LINE with the times when it launched but falling a little short of the steadfast transparency and neutrality required of the best audiophile preamplifiers today.
CUSTOMIZABLE EQ PROFILES FOR EVERY SOURCE
The Tilt and bass filters can be combined to create individual EQ profiles to assign to each source input. In this way, each input can be configured to suit the connected component, be it a turntable, a CD player, a tuner, a DAC or streamer, or any other playback device with an analogue output. Individual adjustment may also be made in real time, to suit whichever recording is being played.
PRECISION INPUT GAIN & FLEXIBLE CONNECTIVITY
The gain (sensitivity) of each input can be controlled in 0.5dB steps between -8dB and +8dB, enabling users to precisely match levels between different sources. To add further flexibility, one of the line-level RCA inputs can be configured in AV bypass mode, enabling it to be used with an external AV processor.
PRECISION TONAL BALANCE WITH TILT CONTROL
While conventional tone controls adjust bass or treble individually, the Tilt control adjusts both ends of the frequency spectrum together – either attenuating the bass and lifting the treble, or lifting the bass and attenuating the treble, in steps of 1dB.
THE HISTORY OF QUAD TILT CONTROL
Overview First available in 1982 on the classic QUAD 34 preamplifier, the Tilt control was created by QUAD founder Peter Walker as an audiophile-quality answer to tone adjustment.
PREMIUM DESIGN & CONSTRUCTION
All Artera Series components share the same compact 32x32cm footprint, with a crisp, clean aesthetic that both evokes QUAD’s past and looks forward to the future. The housing provides a rigid structure that exudes quality and resists interference from external vibrations, with a textured aluminium front panel, thick glass top and CNC-routed heat sinks on either side.
ADVANCED BASS FILTERING & SOUND TAILORING
The new Artera preamp adds further analogue bass filters to the Tilt function for additional sound tailoring, which may be useful for a variety of reasons. For example, optional bass lift (of +4.5dB around 60Hz) may be used to give smaller speakers a little more extension, while bass cut (-4.5dB shelf response) can help to deal with unwanted room resonances.




















